![]() ![]() Despite their large number, the latter can be considered equally. The Rape of Europa, whose name means "she with the wide eyes" or "she of the broad countenance" and after whom the continent of Europe is named, was a particularly popular subject in Attic vase-painting during the first quarter of the 5th c. equivalent of contemporary red-figure calyx-kraters in terms of value and impression. On the other side of the krater are three himation-clad youths in conversation. From her union with Zeus Europa gave birth to three sons, Rhadamanthys, Sarpedon and Minos. The winged Eros, who follows, hints at the passion that will draw the god and the mortal into their divine union at Gortyn on Crete, where the couple eventually landed. The princess, enchanted by this creature, mounted its back and she suddenly found herself flying over the sea, denoted here by the presence of fish. Zeus, smitten by the beauty of Europa, daughter of the King of Phoenicia Agenor, transformed himself into a snow-white bull in order to seduce the young princess while she was picking flowers on the seashore. 257, Madison: University of Wisconsin Press.The subject on the main side of this Attic krater is the Rape of Europa. 122, New York: Cambridge University Press. Greek Vase-painting and the Origins of Visual Humour. Lexicon Iconographicum Mythologiae Classicae (LIMC). Personifications in Greek Art: The Representation of Abstract Concepts, 600-400 B.C. Athenian Red Figure Vases: The Classical Period, a Handbook. Paralipomena: Additions to Attic Black-Figure Vase-Painters and to Attic Red-Figure Vase-Painters. ![]() 85, Cambridge, Mass.: Harvard University Press. New York: The Metropolitan Museum of Art. Greek Painting: The Development of Pictoral Representation from Archaic to Graeco-Roman Times. Provenance References Title: Calyx-krater Artist: Attributed to the Painter of the Louvre Centauromachy Period: Classical Date: ca. 126, 129, 170, New Haven: Yale University Press. Red-Figured Athenian Vases in the Metropolitan Museum of Art. ![]()
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